Saturday, January 26, 2019

How does Fitzgerald’s variety of language techniques illustrate his views on the lifestyle of the era, here and in the novel as a whole

With reference to at least ii c beers, show how Fitzgeralds variety of language techniques illustrate his views on the lifestyle of the era, here and in the novel as a whole.Fitzgerald white plagues many a(prenominal) unalike literary techniques to portray his opinion of the lifestyle during the 1920s. The use of scratch Carraway as narrator continually exposes the readers to both the positives, and negatives of this era. Throughout The Great Gatsby Fitzgerald explores profound issues of The jazz age. The intention of wo custody and the pecking order of society argon two of the main issues which Fitzgerald explores.Throughout passage one there is a bombastic divide of social status and it is clear that the differences within the degree hierarchy are profoundHes so dumb he doesnt know hes alive.Fitzgerald uses the unappeasable citation of tom Buchanan to portray the divide and disapproval of working class citizens like Wilson. The use of strong adjectives portrays the ma l manipulation of the working class. In passage two Fitzgerald presents the opposite rarity of the hierarchy to the readers. The readers are therefore undetermined to a world of wealthinesssuperior couples holding each tonic(prenominal) tortuously, fashionably, and keeping to the cornersThe continued use of adjectives by Fitzgerald this succession creates a assorted image. He creates a disjointed atmosphere which is contrasted by wealth. The negative imaginativeness that is created challenges the report of The Ameri gouge Dream and the fallible belief of characters like Wilson that success and therefore wealth is essential. This contrasts the first passage where Fitzgerald portrays the negatives of p overty. Fitzgerald suggests that there was no residue of success and wealth in that society. further, Fitzgerald was in fact part of the higher(prenominal) social class who contributed to these parties.Infidelity is a key issue that Fitzgerald exposes in this novel and this i s especially true for passage oneShe smiled s abjectly and, travel through her husband as if he were a ghost, shook men with Tom, spirit him flush in the eye.Fitzgerald uses his narrator Nick to observe the frightening actions of a typical working class woman of the 1920s. Fitzgeralds provocative language, looking him flush in the eye, portrays Myrtles obsessive pursuit of wealth and supposed happiness. The belief of The Ameri sewer Dream is once again divulged, as Myrtles quest for wealth sacrifices her marriage. The comparison of Wilson to a ghost is important because it shows that Fitzgerald disapproves of Myrtles actions and is trying to portray her harden doings. The technique of formal, introductory action, shook hands with Tom is used by Fitzgerald in contrast to the deeper more intimate relationship beneath the frivolous appearance. This represents Fitzgerald and his sympathy in this instance for the poor, hardworking citizens even though he was himself part of this rich lifestyle. In passage two no tell infidelity is explored by Fitzgerald only the idea of frivolity amongst couples isThere was dancing now on the canvas in the garden old men pushing young girls backward in eternal graceless circlesFitzgeralds use of pushing and graceless suggests that there is no connection or glitz in relationships. Similarly to the worthless marriage of Wilson and Myrtle, these couples are awkward and without attachment.The role of women is a major flaw of society within this time period. Fitzgerald suggests mistreatment in his description of, old men pushing young girls He emphasises the pretermit of connection amongst couples and presence of simpleness over women. He disapproves of the treatment of women however he does not defend the women or even approve of their actions, one girls dancing individualistically His language is sarcastic and mocking towards the drunken women at Gatsbys companionship. Both sides of Fitzgeralds arguments are make mor e significant by the fix, representing the treatment in world situations. Fitzgerald is portraying the deprivation of reaction amongst citizens of the 1920s. Similarly to when Tom broke Daisys nose. Although the action was recognised by Nick it was not dwelled upon. This mastery is re-emphasised later in the novel at another public party locationWhenever he sees Im having a good time he wants to go home.Fitzgerald repeatedly features dominating, bullying husbands who control their wives and restrict their lives. However, some would argue that the control is to stop inappropriate behaviour of the typically drunk women of the era. This control over women is paralleled in passage one by the dominating male character of TomI want to see you thump on the adjoining train.Fitzgerald uses Toms brutal nature and blunt direct speech to portray the maladroitness of women. Fitzgeralds language is domineering and controlling, which suggests that he has unfaithful motives for his arrangement s with his girl. Fitzgerald portrays an entirely different character to the readers after Myrtles deathTom drove slowlyIn a little while I heard a low husky sob, and saw that the tears were overflowing down his face.Fitzgerald shows the readers that this lifestyle can be fragile and vulnerable at times. The readers see a new side of Tom and it proves that although he was a domineering character he did have true feelings for Myrtle. Fitzgerald still represents the era by using dauntless and masculine adjectives, low husky sob This description of Tom portrays the idea that people could not show fragility without trying to be superficially strong.The male domination of characters like Tom is standardized to the behaviour of mink coat in Postcards by Annie Proulx. Mink is a real possessive and close character, he controls his wife JewellMink wouldnt hear of it. Had a fit each time I wanted to go somewhereThis possession is very uniform to Tom and his control that he needs over Dais y. However there is a difference, Mink and Jewell are very poor farmers which are directly contrasted by the wealth of Tom and Daisy. The American Dream that so many people went in search of, hoping that money meant happiness, is proved false. twain completely different male characters from different wealth background are still dominating and controlling. Therefore, American Dream seekers like Wilson, Myrtle, The Joad family from The Grapes of Wrath, Lenny and George from Of mice and men are blinded by a dream.Excess is an issue of the 1920s among prospered wealthy people similar to those of Gatsby, Daisy and Tom. Fitzgerald displays initial disapproval of this gluttony bubbly was served in glasses bigger than finger-bowls.The use of an upper class comparison makes this sentence more omnipotent. Fitzgerald compares excess with more flamboyant objects. This is effective in the portrayal of the lavishness of parties. However, his possible disapproval is soon altered by the effects of alcohol and the narrator is soon engulfed in a wealthy societyI had taken two finger-bowls of champagne, and the scene has changed before my look into something significant, elemental, and profound.Fitzgerald condemns the consumption of alcohol and displays its dangers perfectly through the transformation of his narrator and his observations. He suggests that societys vision is clouded by alcohol and excessiveness rendering it unworkable to possess educated and sensible opinions of the extravagant lifestyle. The excess of a public environment is directly contrasted with the pauperisation of a private location in passage onea grey, scrawny Italian child was desktop torpedoes in a row along the railroad track.This observation made by Tom is purposefully displaying Fitzgeralds disapproval of the excess of the Buchanons lifestyle. He shows readers that poverty was ignored by the upper class. Instead of helping the area characters similar to Tom want to ignore them and return to their luxurious lifestyles. The private location is essential in the portrayal of the ignorance to poverty and the lack of connection with baseborn workers like Wilson.The entire novel displays one of the biggest flaws of 1920s society, shallowness. Passage two contains the shallowness of parties and public eventsVacuous bursts of laughter rose toward the summer sky.Fitzgerald uses a powerful adjective to describe the laughter as being fake. Imagery is created of clouds float into the sky this is created by Fitzgerald to display the superficial atmosphere. Everyone at the party is bestow to the hollow laughter and taking advantage of Gatsby and his hospitality. Fitzgerald is showing the readers a lack of genuine care or enjoyment, it is a superficial persona. Fitzgerald continues to show the readers that superficiality is present in private scenes like passage oneGet some chairshis wife moved close to Tom.Fitzgerald portrays how a relationship can be superficial. Myrtles order is brazen in order to spend time with Tom. He shows the readers that people of this era were superficial, for public show and private gain. This is similar behaviour to that of Daisy later on in the novelMake us a cold drinkAs he left the fashion again she got up and went over to Gatsby and pulled his face down, kissing him in the mouth.This behaviour is paralleled to Myrtles they are both very cold and daring in these cases. Fitzgerald guesss this is terms and he displays this by the quick pace of the sentence, it shows a rush to end the action. The behaviour is similar to that of Tom and his affair with Myrtle, which shows a strength emerging for women. Daisy is now entering into an affair just as Tom is. Fitzgerald represents a clear disapproval of the unfaithful nature of society.I think Fitzgerald uses dozens of literary techniques to cover all the key issues of the 1920s. He successfully describes situations vividly and encourages the reader using Nick as narrator. The reade rs are encouraged to believe that the Jazz age was excessive, superficial, wealth obsessed and unfaithful. However, as Fitzgerald shows using Nick, it was a very attractive era which captured people and engulfed them in money.

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